Tuesday, December 29, 2015

THE NIGHTINGALE BY KRISTEN HANNAH


The Nightingale

by 
 4.53  ·   Rating Details   ·  95,143 Ratings  ·  13,818 Reviews
In love we find out who we want to be.
In war we find out who we are.


FRANCE, 1939

In the quiet village of Carriveau, Vianne Mauriac says goodbye to her husband, Antoine, as he heads for the Front. She doesn’t believe that the Nazis will invade France...but invade they do, in droves of marching soldiers, in caravans of trucks and tanks, in planes that fill the skies and drop bombs upon the innocent. When France is overrun, Vianne is forced to take an enemy into her house, and suddenly her every move is watched; her life and her child’s life is at constant risk. Without food or money or hope, as danger escalates around her, she must make one terrible choice after another.

Vianne’s sister, Isabelle, is a rebellious eighteen-year-old girl, searching for purpose with all the reckless passion of youth. While thousands of Parisians march into the unknown terrors of war, she meets the compelling and mysterious Gäetan, a partisan who believes the French can fight the Nazis from within France, and she falls in love as only the young can...completely. When he betrays her, Isabelle races headlong into danger and joins the Resistance, never looking back or giving a thought to the real--and deadly--consequences.

With courage, grace and powerful insight, bestselling author Kristin Hannah takes her talented pen to the epic panorama of WWII and illuminates an intimate part of history seldom seen: the women’s war. The Nightingale tells the stories of two sisters, separated by years and experience, by ideals, passion and circumstance, each embarking on her own dangerous path toward survival, love, and freedom in German-occupied, war-torn France--a heartbreakingly beautiful novel that celebrates the resilience of the human spirit and the durability of women. 

Tuesday, December 22, 2015

THE NIGHTINGALE BY KRISTEN HANNAH


New York Times Best Selling Author Kristin Hannah exposes the horrors of World War II in France. She uses the small town of Carriveau as a main setting that dramatically contrasts with the evil that is about to come to a country that has surrendered to the Nazis, and is now being occupied. The novel also develops the story of two courageous sisters who, ironically, get to come together to join forces in a time when hope, faith, and unity are lost. This powerful novel has non-stop action, realistic characters, a strong line of themes and situations that are believable. The historical context within which the novel takes place is accurate. 

It is 1939 France. It is the period when the country surrenders to the Germans, and the Nazi regime begins its occupation. While the city of Paris takes in most of the heat, the quiet village of Carriveau is on the brink of changing forever. The once peaceful and bucolic town has turned into a horrific show of airplanes, war tanks, bombs, and the scary sight of Nazis from the SS, the Gestapo and the regular Wehrmacht all over. Vianne Mauriac, the young wife of a recently drafted soldier, is obligated to host a Nazi in her home while the war goes on. Her younger 18 year-old sister, the impetuous Isabelle, chooses the dangerous path of joining the French Resistance and risking everything in the process: her life, her safety, and her emotions. 

Sunday, December 20, 2015

INVISIBLE CITY BY JULIA DAHL

A finalist for the Edgar and Mary Higgins Clark Awards, in her riveting debut Invisible City, journalist Julia Dahl introduces a compelling new character in search of the truth about a murder and an understanding of her own heritage.

Just months after Rebekah Roberts was born, her mother, an Hasidic Jew from Brooklyn, abandoned her Christian boyfriend and newborn baby to return to her religion. Neither Rebekah nor her father have heard from her since. Now a recent college graduate, Rebekah has moved to New York City to follow her dream of becoming a big-city reporter. But she's also drawn to the idea of being closer to her mother, who might still be living in the Hasidic community in Brooklyn.

Then Rebekah is called to cover the story of a murdered Hasidic woman. Rebekah's shocked to learn that, because of the NYPD's habit of kowtowing to the powerful ultra-Orthodox community, not only will the woman be buried without an autopsy, her killer may get away with murder. Rebekah can't let the story end there. But getting to the truth won't be easy--even as she immerses herself in the cloistered world where her mother grew up, it's clear that she's not welcome, and everyone she meets has a secret to keep from an outsider.
 

Tuesday, December 15, 2015

FAMILY LIFE BY AKHIL SHARMA

"Family Life" begins with the narrator being 40 years old, even though through the rest of the novel he goes from 8 years old to adulthood. Ajay tells the reader of a moment with his parents where they laugh and tease each other, giving the reader insight into how his family evolves over time, since no story stays on 'happiness' for its entirety.
Ajay is 8 years old when his story starts. He describes his parents as hard-working, yet struggles to understand his father's purpose in the family since his mother is the main caretaker and he just doesn't have a strong bond with his father. He has a 10-year-old brother, Birju. The two of them play together regularly with other kids in their Delhi, India, community. The family lives in two cement rooms on top of a house. Their mother's extreme frugality is described in how she has them split matches in half to double the use of the box.
Ajay's father moves to America about one year before Ajay, Birju, and their mother Shuba. He sends plane tickets in August for them to arrive in Queens, New York, in October. When the tickets arrive, opening them is a community event. Emigrating from India to America in the 1970s was considered an event. The family sells off almost everything they own, and keep only what they can carry onto the plane. 
Once Ajay, Shuba, and Birju arrive in America, the boys are enthralled with the differences between where they are and where they came from. Hot, running water available at all times and a large, stocked library are two luxuries Ajay appreciates. Cable television, especially "Gilligan's Island" is another treasure for Ajay as he acclimates to life in America. Birju finds it easy to make friends, and even gets a girlfriend. Ajay has the opposite experience: until 10th grade, he doesn't have any friends or girlfriends. 
When Ajay is 10 years old and Birju is 12, the summer after Birju is accepted into the Bronx High School of Science, Birju slams his head on the bottom of a pool while visiting his aunt in Arlington, Virginia. He becomes permanently brain damaged and is now in a vegetative state for the rest of his life. From this point on, everything revolves around Birju's accident. The family prays daily, even creating an altar in Birju's hospital room as well as at his aunt's house. Shuba temporarily moves down to Virginia while Rajinder, Ajay's father, stays in New York during the week to work and then comes to visit on the weekends. Shuba and Ajay visit Birju every single day.
Rajinder, Shuba, and Ajay each have their own way of dealing with Birju's accident, and all three of their coping strategies evolve over time. Shuba's main coping strategy is to focus on what she can do in the here-and-now, rather than focus on the accident or on what could have been had Birju never gotten into the accident. Ajay's coping strategies involve blind, obligatory behavior, then escape by way of books, then outbursts of anger toward his mother, escape by way of having a girlfriend, academic discipline, and finally career success. Rajinder's coping strategy is denial, though it takes on more than one form: talking about what he wishes life could be; drinking alcohol to excess; and ignoring his family all together.
After several months in the hospital, and after Shuba makes sure the insurance company will pay for a nursing home, Birju is moved from the hospital in Arlington to a nursing home in Metuchen, New Jersey, where the Mishra family now lives so they can be close to the nursing home and also close to a temple. Again, Shuba and Ajay visit Birju every single day. Unfortunately, the nursing home doesn't take good care of Birju; they feed him too much at one time, they forget to reposition him, and objects are often found under Birju, even a pair of scissors. Shuba's outrage is apparent and therefore, the family decides to bring Birju home so they can care for him there.
Once Birju is brought home, the Indian community shows their constant support for the Mishra family. Though this seems to only help Shuba and not Ajay or Rajinder, it does show a sense of togetherness and unity that tends to be present among immigrant communities. Neighbors and other members of the Indian community visit to bring food, spiritual encouragement, or just a distraction. Self-proclaimed miracle workers also come to visit, claiming they can heal Birju. None of them do, and Ajay remains skeptical of their presence.
Bringing Birju home proves to put even more of a strain on the family unit. Rajinder becomes an alcoholic and spends most of his time drinking. His help with Birju becomes less and less, and is eventually nothing. Ajay and his mother end up being the main caretakers, as they bathe Birju, feed him, engage him during their card games, tease him, and exercise him. Though they work together to care for Birju, this puts an enormous strain on Ajay and his mom's relationship. Ajay continues to feel isolated from his parents, and his mom continues to bear the burden of being the main emotional caretaker of the family. While Rajinder provides financially, it is Shuba who must bear the emotional weight of the family.
Rajinder's alcoholism gets worse and worse. Once, he quits for several months, but one night of one drink and he starts again. He quits again, but this time it was after being drunk enough that he was missing work, vomiting on the carpet, and had spent an entire winter's night outside in the backyard because of being so cognitively unaware. Eventually he checks himself into Bellevue Hospital in Manhattan where he attends rehab for about a month. Ajay and his mom visit every day. When he is released from the hospital, Rajinder begins attending Alcoholics Anonymous meetings, accompanied by Ajay at his mom's request. This time, Rajinder's sobriety sticks.
Ajay has spent his adolescence working for good grades, all as an attempt to prove to his parents that he is not Birju, but also that he wishes he could be. However, his parents are so lost in their own grief that they tend to not pay Ajay very much attention. Ajay tries several things to get his parents' attention, mostly getting good grades, behaving perfectly, and helping out with Birju, though he seems unaware that his efforts are for this purpose; Ajay sees his efforts as a way to push down his own self-shame that he cannot be like Birju. 
Ajay decides to get a girlfriend in 10th grade. He dates Minakshi into their freshman year of college. Being with Minakshi gives Ajay a way to dream of a better future than he's ever before been able to do. Though this hope excites him and gives him some relief from feeling forever stuck in his family's situation with Birju, it also angers him that this hope has to be deferred until he can leave the house.
Ajay gets accepted into Princeton University, a result of his hard work and discipline throughout high school. However, he does not see it as an accomplishment for himself, but rather for his mother since she is the one who raised him and expected perfection out of him, especially given her other son's permanent vegetative state. Once at Princeton, Ajay does very well. He gets a job after graduation as an investment banker, and subsequently makes a lot of money. He saves most of it, and sends a good bit of it to his parents so they can have some financial relief in caring for Birju. Though his mom is wary of spending it at first, she comes to spend it on a nurse that can be with Birju 24 hours a day, seven days a week, so that the family might have some relief.
The novel seems to end within a few years of where the novel began. When the novel began, Ajay was 40 years old. When the novel ends, he is about 10 years removed from college. He is on vacation at a resort in Mexico with his current girlfriend, Hema, a lawyer. He is surrounded by beauty and serenity, feeling happiness for one of the only times in his life. Yet, the happiness weighs heavily on him and he doesn't know what to do with it or where to put it. In that moment, when he is filled with happiness yet cannot enjoy it, Ajay fully realizes the damage done by his tumultuous, grief- and rage-filled family life.



Friday, December 4, 2015

EUPHORIA BY LILY KING


Set in the mid-1930’s, “Euphoria” is the story of a love triangle in which the three participants interact on a variety of levels – emotional, intellectual, romantic, and sexual. Complicated, multi-level interactions of power, desire, and intention lead to violence that plays out on both personal and cultural levels, triggering and/or exploring themes related to, and defined by: gender relations, female sexuality and childbearing, obsession, and discovery of personal truth / inner light. 
Structurally, the story unfolds in an extended flashback. Narrator and protagonist Andrew Bankson recalls his initial meeting with fellow anthropologists Nell Stone and Schuyler Fenwick (Fen), married to each other but scientifically and intellectually competitive. The suicidal Bankson, despairing because his life and career both seem stalled, becomes happily (and somewhat desperately) involved with them, hoping for (and eventually finding) personal and professional inspiration.
Bankson helps Fen and Nell find a non-civilized / non-Westernized tribe to research. He attempts to leave them to their own work and focus on his own, but finds himself irresistibly drawn to both of them, becoming more and more involved both professionally and personally. Both Fen and Nell are driven by degrees of obsession with aspects of their work: Fen with success and notoriety, and with retrieving a particular artifact or relic that he believes will bring him both; and Nell with excavating truths that she believes are being kept from her. At the same time, both Nell and Fen seem preoccupied both with having a child of their own and with cultural rituals around babies and childbirth. 
As Bankson becomes more and more involved with Fen and Nell, they in turn become increasingly preoccupied with pursuing their own goals. At the same time, Nell and Bankson find themselves becoming increasingly attracted to each other, much to the increasing anger and resentment of Fen. That resentment doesn’t stop him, however, from engaging with both Bankson and Nell in a passionate, intellectual debate / discussion of the work of another colleague, Helen Benjamin, a past lover of Nell’s. That debate results in the development of a theory called The Grid that categorizes and defines characteristics of tribes, genders within those tribes, and individuals of both genders. 
Fen experiences the successful completion of The Grid as primarily an accomplishment of Bankson and Nell, and becomes increasingly determined to achieve a success of his own. With that goal in mind, he goes off in pursuit of the artifact he’s been pursuing for so long. In his absence, a series of circumstances (including Nell being allowed into a ritual she has long desired to observe) lead Bankson and Nell into an intense sexual encounter, interrupted only by Fen’s return with the violently retrieved artifact. The reaction to his return is so intense that Bankson feels that in order to stay alive, the trio has to leave, which they do reluctantly.
Having fled to Australia, Fen immediately starts to take advantage of having taken the artifact and begins to promote himself and his discovery. Nell tells Bankson that she cannot stay with him, and she makes plans to return to New York with Fen. After they leave, Bankson resolves to follow them, but is shocked to learn that on the voyage home, Nell has died and been buried at sea: there are suspicions that Fen was somehow involved, but those suspicions are never proven to be true.
As the narrative draws to a close, Bankson describes what happened to The Grid (its use by the Nazis in World War II to justify their genocidal war-making), his guilt over what happened, and how an exhibition of artifacts of his, Nell’s, and Fen’s work resulted in an unexpected reconnection with some of the best of his time with Nell.
This section contains 628 words
(approx. 2 pages at 400 words per page)
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OUR SOULS AT NIGHT BY KENT HARUF


Addie Moore pays an unexpected visit to her neighbor, Louis Waters. Her husband died years ago, as did his wife, and in such a small town they naturally have long been aware of each other, if not exactly friends; in fact, Addie was quite fond of Louis's wife. His daughter, Holly, lives hours away in Colorado Springs; her son, Gene, even farther away in Grand Junction. What Addie has come to ask — since she and Louis have been living alone for so long in houses now empty of family, and the nights are so terribly lonely — is whether he might be willing to spend them with her, in her bed, so they can have someone to talk with.