| Journey to the End of Night | |
|---|---|
L.-F. Céline in 1932, Renaudot prize winner
| |
| Author | Louis-Ferdinand Céline |
| Original title | Voyage au bout de la nuit |
| Translator | John H. P. Marks (1934), Ralph Manheim (1988) |
| Country | France |
| Language | French |
Publication date
| 1932 |
| ISBN | 978-0-8112-1654-8 |
Journey to the End of Night (Voyage au bout de la nuit, 1932) is the first novel of Louis-Ferdinand Céline. This semi-autobiographical work describes antihero Ferdinand Bardamu.
Bardamu is involved with World War I, colonial Africa, and post–World War I America (where he works for the Ford Motor Company), returning in the second half of the work to France, where he becomes a medical doctor and establishes a practice in a poor Paris suburb, the fictional La Garenne-Rancy. The novel also satirizes the medical profession and the vocation of scientific research. The disparate elements of the work are linked together by recurrent encounters with Léon Robinson, a hapless character whose experiences parallel, to some extent, those of Bardamu.
Voyage au bout de la nuit is a nihilistic novel of savage, exultant misanthropy, combined, however, with cynical humour. Céline expresses an almost unrelieved pessimism with regard to human nature, human institutions, society, and life in general. Towards the end of the book, the narrator Bardamu, who is working at an insane asylum, remarks:
…I cannot refrain from doubting that there exist any genuine realizations of our deepest character except war and illness, those two infinities of nightmare,
(…je ne peux m'empêcher de mettre en doute qu'il existe d'autres véritables réalisations de nos profonds tempéraments que la guerre et la maladie, ces deux infinis du cauchemar,)
A clue to understanding Celine's Voyage is the trauma he suffered during his experience of the Great War 1914–1918. This is revealed by a study of biographical and literary research on Celine, histories of the war, diaries of his cavalry regiment, and literature on the trauma of war.[1] Celine's experience of the war leads to "…the obsession, the recurrent anguish, the refusal, the delirium, the violence, the pacifism, the anti-Semitic aberration of the 30’s, [and] his philosophy of life …."[2]
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